Sunny Day Real Estate

D tuning, a whole step down: [D G C F A D]

*1 Intro

G1 (doubled by G2) slight reverb, otherwise clean

V V V V V V V
|-----14-14-----14-14----14-0------13-13-----13-13----13-0------14-14-
|-15--15--------15-------15-15-----15--------15-------15-15-----15----
|-14--14--------14-------14-14-----14----14--14-------14-14-----14----
|-0---------0---------0--------0---------0---------0---------0--------
|---------------------------------------------------------------------
|------------------------------------------------------------------...
^repeat

*2

G1 Distortion

|---------------------------------------------------------------------
|---------------------------------------------------------------------
|-11-7----14-12-11-12-11-9--11-7----14-12-11-12-11-9--11------------
|-X---X----X--X--X--X--X--X--X---X----X--X--X--X--X--X--X-------------
|-9--5----12-10-9--10-9--7--9--5----12-10-9--10-9--7--9...----------
|---------------------------------------------------------------------

G2

|---------------------------------------------------------------------
|---------------------------------------------------------------------
|-7---7-7--10----10----10-10------------------------------------------
|-7---7-7--10----10----10-10------------------------------------------
|-5---5-5--8-----8-----8--8-------------------------------------------
|---------------------------------------------------------------------
^repeat

*3 Verse

G1
pm-------------------------------------------------------------...
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|---------------------------------------------------------------------
|-0-0-0-0---0-0-0-0---0-0-0-0-3-3-3-3---3-3-3-3---3-3-3-3-0-0-0-0...--
|---------------------------------------------------------------------
|---------------------------------------------------------------------
^repeat
G2

|---------14----14------------13----13------------14----14------------
|------15----15----15------15----15----15------15----15----15---------
|---14------------------14------------------14------------------14...-
|-0-------------------0-------------------0-------------------0-------
|---------------------------------------------------------------------
|---------------------------------------------------------------------
^repeat

repeat *2 for chorus

repeat verse

repeat chorus

*4

G1

|---------------------------------------------------------------------
|---------------------------------------------------------------------
|------6---12---------10---------9------------------------------------
|-7----7---12---------10---------9------------------------------------
|-7----7---10---------8----------7------------------------------------
|-5----5--------------------------------------------------------------

G2

|---------------------------------------------------------------------
|---------------------------------------------------------------------
|------6---12-12-12---14-14-14----16-16-16----------------------------
|-7----7---X--X--X----X--X--X-----X--X--X-----------------------------
|-7----7---10-10-10---12-12-12----14-14-14----------------------------
|-5----5--------------------------------------------------------------
^repeat

End with several G#s |688766|

Note: If you've seen my tabs before you know how I hate to tab rhythm
strums. Same rule applies to this tab, so please understand that
I've tabbed this based on accuracy of notes and chords, not rhythm
and number of strums.

*5 Feedback verse

To get the desired feedback of the first note leave the 4th string open,
then try these octave chords: |X9X11XX| and |X10X12XX|. Add G1's palm
muting the second time around.

repeat chorus

repeat *4

end on G#

Inspiration to write this tab came from some mental corrections to
Michael Hoover's ([email protected]) tab, so in the process of 
correcting his tab I decided to just write my own and submit it to
him to see what he wanted to do with it. Until we negotiate and
decide which tab to post; this one with credit to him, or his original,
corrected with parts of this tab with credits to me. Thanks Michael.